Red Bull’s 2018 challenger launched

Today, Red Bull followed Haas and Williams in launching their 2018 F1 car, the RB14. They are the highest profile team to launch yet so it was all eyes on the Milton Keynes-based team when the covers came off the RB14 this morning, prior to a shake-down run at Silverstone.

The RB14’s first major difference is the livery: a matte, futuristic looking design that has pixilated regions. It’s a radical step compared to Red Bull liveries past. But before we all get too excited, the race livery will be revealed at Barcelona for testing—that is more likely to be the blue, yellow and red mix that has been typical of Red Bull in the past few years.

It’s not the first time they’ve come up with a drastically different test livery compared to the race livery and, knowing Red Bull, it probably won’t be the last.

Getty Images/Red Bull Content Pool

Car-wise, the biggest change is obviously the halo which has been painted the same matte blue as the chassis and blends in well with the rest of the car. It’s not the prettiest thing in the world but, on first glance, it’s much less noticeable than before.

Elsewhere, the front suspension has been raised slightly to match Mercedes and Ferrari while the ‘Pingu’-dubbed hole in the nose has stayed. Aero-wise the RB14 isn’t anywhere near as bare as its predecessor was at its launch—that should stand Red Bull in better stead for the season ahead.

Getty Images/Red Bull Content Pool

2017 was not as successful as anyone had hoped for Red Bull, when an aerodynamics-based rule change should’ve played in their favour, especially with Adrian Newey on board. When they launched the RB13 with the headline “unlucky for some” they hoped that it would be unlucky for Mercedes and Ferrari, not for their drivers. The car was almost bare at the launch and then at pre-season testing with the ‘B-spec’ car arriving for the Spanish GP to no avail.

Their main problem wasn’t speed, it was reliability—something that both Red Bull and McLaren alike hope that Renault have gotten on top of for 2018. If the expectation was high for 2017, it’s even higher for 2018 with both drivers starting to look restless.

Daniel Ricciardo will again be partnered by Max Verstappen, and while the latter’s contract stretches to 2020, Ricciardo is up for renewal. Mercedes and Ferrari would both happily have the Australian alongside their respective star drivers but both offer effective ‘number 2’ drives. Staying at Red Bull may turn out to be a preferable option for Ricciardo, but if he does go Carlos Sainz is in prime position to replace him.

Getty Images/Red Bull Content Pool

All of this hinges on what kind of 2018 Red Bull have. If they’re fighting Mercedes and Ferrari, both drivers will be happy—if not, they’ve got a problem on their hands.

With an extra five days of preparation, will Red Bull be able to return to winning ways or will they face another year in the doldrums? Only time will tell…

Pirelli’s Rainbow – Karun Chandhok’s Guide To F1 Tyres In 2018 | Mobil 1 The Grid

Check out the newest video from Mobil 1 The Grid in which Karun Chandhok provides an insight into the enduring importance of tyres in F1, and why this year’s Pirelli range is a step in the right direction for the sport.

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Latifi takes up Force India third driver role

Force India has signed Canadian F2 racer Nicholas Latifi as its new test and reserve driver for the 2018 F1 season.

Latifi’s role will comprise simulator work as well as participation in young driver tests and “a number of Friday practice sessions” throughout the year.

“I’m really excited about the opportunity,” Latifi said in a statement. “Sahara Force India is a team that has shown constant improvement for the last few years and I’m proud to become a part of one of the success stories of Formula One.

“I am eager to show the team what I can do and help them as they continue to close the gap to the front of the grid.”

Joe Portlock/FIA Formula 2

Force India team boss Vijay Mallya said of the appointment, “Nicholas joins us off the back of a strong season in F2 and strengthens our driver development programme. He will support our simulator programme and work with the team during a number of Friday practice sessions.”

Mallya added: “We have a long track record of bringing on young talented drivers and Nicholas will learn a huge amount as he gets embedded in the team, and looks forward to a career in Formula One.”

Latifi, who previously held a test driver role at Renault, took one race win and nine podiums to finish fifth in the 2017 F2 Championship.

Interview with Sean Bull – The Man behind the fantasy F1 liveries

One of Sean’s 2018 car designs: The new Sauber with the Alfa Romeo livery and the Halo

We talked with designer Sean Bull about his work in Formula E and his change from casual F1 fan to creator of fictional and real car designs, and show the person who stands behind some of the most popular fantasy F1 liveries.

Most of the F1 community knows it: the feeling weeks before the presentation of the new F1 cars. Especially when a team has a big new sponsor or has changed their engine partner for example, everybody talks about possible livery changes. How would Ferrari look without Santander? Or the new McLaren in an old-school papaya coat? What about Red Bull with the new Aston Martin deal, or Sauber with Alfa Romeo? And most importantly: how will the cars look with the new halo system above the cockpits?

Only a few of the many questions in this year’s pre-season. Thats where the work of Sean Bull begins. A man who not only creates possible designs of real and fictional F1 teams—he also started with a real design for the Dragon Formula E team this season.

The fictional designs are iconic to many people. Thats why the disappointment is often big, when the teams reveal their real cars with a much more conservative livery.  Some people might ask why the real teams don’t look as good as popular examples from designers like Sean Bull. Let’s ask the man himself about this and know more about him, his hobby and his job at  the same time.

 

A dream came true: Sean’s livery designs for Dragon Racing in this year’s Formula E season.

1.  First of all, congratulations on your first real car livery, the Dragon Racing Formula E cars and their driver suits. They look great. Could you tell us, what was your reaction when you learned that your design had been chosen for the car?

Sean: The Dragon design was months of hard work, working closely with the team’s owner, Jay Penske to design and develop the teams refreshed identity this season after the departure of Faraday last year, going back to the team’s roots of the striking red chrome and a more elegant and flowing design was a pleasure to draw and create, with the car lending itself heavily toward the livery layout. A classic use on subtle pinstriping around the key feature lines and the minimalist American flag motif that adorn the roll hoop and front wing are the result of continued fine tweaking and development.

The decision to split the liveries came quite late and continue what is left of the team’s corporate DNA from last year with the split faraday designs, only presented in a more obvious and dramatic fashion this year, with each car being the mirror imprint of the other, something I wish F1 would be allowed to adopt with such difficulty telling the drivers apart from one another.

The race suits and garage design were also fun aspects to design and create, we went with a range of options before we settled on something more minimal and classy rather than anything too outlandish and obvious, and I believe they look great, with obvious relation between the cars, pits and corporate branding and I’m very proud to have been part of it and am certainly looking forward to working with the team for the rest of the season.

 2. Tell us what got you started designing. What inspired you to design car liveries, and is that your full time job now, or is it still a hobby for you?

Sean: I started, as I believe any fan of F1 has, sketching the cars watching the race as a young kid, and it’s from then that it’s always been my passion to be a car designer, so I studied Automotive Design at Coventry university and after gaining an industrial placement in my 3rd year I continued to work for that company as an Automotive Stylist after graduating in 2016. It was the skills in Photoshop and CAD learnt at university and work that helped me develop a hobby designing fantasy F1 liveries that slowly evolved into designing and creating the real thing for some big race teams around the world. Fortunately, it is still my side hobby and one that I take great passion in, but as I enjoy my main career as a car designer, it makes for a good break and free time relaxation, I’m just lucky enough that the livery work I do for ‘fun’ has given me the opportunity of a “second career”.

Bildergebnis für f1 2018 sean bull design
Another idea from Sean: making the most of the unpopular halo system with driver-specific liveries.

 3.  Your designs for the upcoming year are everywhere on the web, especially during the winter break. Many are disappointed when the real cars are presented by the teams after the break. In contrast to your designs they are often more simple and less warmly received. Does this reaction make you proud?

Sean: As mentioned, this is what I love to do in my free time, so it’s good to see how my fantasy designs are received by the public, and that’s the difference between mine and the real ones that get presented in February. I’m not tied down to any corporate restrictions, branding guides or sponsor requirements, hence why my designs can be so much more extreme and dramatic compared to the real life counterparts. So I do have sympathy for the team’s actual design departments, especially now knowing the creative restrictions that do apply after working on a few real world commissions.

 4.  Could you tell us how much time you spend on a typical livery design?

Sean: Usually when just playing around with my F1 designs, it’s anything from ten minutes to an hour. The real time is spent creating my templates and trying to get them as photo-realistic as possible. That’s where the hours and hours of work is spent. With the real-world teams it can be a lengthy process of design and development, or it can be relatively quick if the team love an initial concept and want to go with that. For example, the Dragon designs were five months from initial sketches to the final application, with changes and tweaks being made even as the car was being wrapped. However, in contrast the F2 livery for MP motorsport last year went straight from an initial sketch to the final proposal in a matter of weeks, such was the reaction from the proposed title sponsor the designs were created for!

Also one of Sean’s most popular livery series’: the 2017 McLaren with all the team’s liveries from 1966 onwards. This is the design of the 1968 McLaren M7A.

6.  2017 has been a special year for you, with many successes. What is your next goal? Do you have an ultimate goal, perhaps designing a livery for an F1 team in the near future?

Sean: 2017 has honestly been the best year of my life, both professionally and personally. I was lucky enough to be engaged to my now-fiancée and we are getting married next year, so that was the personal highlight for me!

In terms of professional success, this year has been incredible. I only started in November 2016, so for all this to happen in such a small space of time has been amazing—especially the work with Leclerc, going to see my first F1 race as a guest of his, and the Red Bull work I have done with their North American team this year (I was lucky enough for them to fly me out to LA to meet them and see my GRC liveries in action at the last race of the rear). And to top off the year, the Formula E commissions with Dragon and the contest win with Mahindra have been incredibly well received!

Looking forward to the future, my ultimate goal is of course F1, and to gain a commission with a team there or eventually work as part of the team. I have other aspirations that I hope will be realised in the coming year, but they’re all secret for now!

Catching F1 Cars – The intervew with Vladimir Rys

Faster and faster… F1 cars are constantly going faster. It is really hard to catch them and show the shape of them. Vladimir Rys, multiple award winning photographer and f-stop gear ambassador who works on the F1 grid, has been doing it perfectly for many years. You can see his full portfolio on the site – vladimirrys.com
Photography is a vital part of media coverage in not only Formula One, but motorsports and indeed sports in general. Vladmir has been on the grid since 2005, and throughout the years he has been snapping images of some of Formula One’s finest moments.

In his fast-paced world Vladimir managed to find a moment for a conversation. In this interview he answers questions asked by Julia Paradowska.

(The interview took a place on 13rd of November before the Brazilian GP.)

Julia Paradowska: Cameras and lenses are heavy. Do you need to go to the gym to be able to have enough power to carry them?
Vladimir Rys: Sure, you have to stay fit. I carry around the track about 20kg’s of equipment with me so I have to stay fit. Tracks like Singapore or Malaysia demand a lot of physical effort from us mainly due to climate conditions, so it’s very important to stay fit and strong.  I have a personal trainer back home and I go running quite regularly.
JP: There are only two races left. What moment of 2017 came as a surprise for you?
VR: I would say Max Verstappen’s rising star is not really a surprise after his brilliant driving last year, but for me it’s probably still the biggest positive out of all this season. F1 needs drivers like Verstappen, Hamilton, Vettel, Alonso, Ricciardo… It’s all about winning at the end of the day. The heritage that these kind of drivers leave behind is enormous. That is the DNA of F1, that is what F1 is about.
JP: What race did you attend for the first time as the photographer?
VR: Australia 2005 was my first race. I had no idea what to expect, but with the first smell of the tyres, the petrol and the V8 engine’s terrifying sound I was instantly sucked into it. I remember standing next to a car in the pitlane and the whole ground was vibrating, same as my clothing I was wearing, to me that was just something I haven’t experienced before. From a photographic point of view a brand new world has opened right in front of my eyes. I suddenly had a playground I could play at. I was excited to dive into this new world with my camera and with eyes wide open I started exploring my new creative limits. I have experienced a new creative boost that would put my photography on a new level again. I didn’t need to sit and wait for the picture like you have to do when shooting football, I went and found the picture my self.
JP: Which photo (that you’ve taken) is your favourite?
VR: I have a few photos I like, but I always believe the next one will be my best one.
JP: What car (since you started working) is the most photogenic for you?
VR: Probably this year’s cars I would say. They are just beautiful. Even with the shark fins they look amazing on the track. Best looking cars for me this year would be Toro Rosso, Mercedes and Red Bull of course. The RB13 with it’s highly saturated colours, the matt look and it’s beautiful shape just stands out. It’s a perfection of it’s self.
JP: Do you have other hobbies?
VR: Away from the track I love sports, reading books and outdoor life like camping and drinking coffee with friends.
Credit: Vladimir Rys / Red Bull Content Pool
JP: You opened an exhibition in Amsterdam in September. Why did you call it ‘Gravity‘?
VR: The title came to our minds after we spoke a lot about my work and the exhibition with my curator Yael van der Lek from Amsterdam. She said to me „when I look at your images, it seems to me almost like the cars are levitating in space, like they would be detached from gravity forces and freely move in space“. That was it, the title was out.
JP: Who was your photography guru?
VR: No one really. I had one or two names I looked up to as a young photographer, but it wasn’t any of the world famous names of photography we all know. I remember a photographer called Jiri Pekarek. Czech photographer, who although he worked as a sports photographer had a different approach of telling a story with a completely different image. It wasn’t the podiums or goals, it was a dejection of an athlete, a behind the scenes shot, a detail that he said the story with. Very emotional images. His eye fascinated me in my early days and I feel influenced by him a lot. From there on I have really followed anything that had something to do with photography or arts. You can get inspired from anything, not just photography, but also music, a movie or even a book can inspire you. Obviously the world of fashion is always a massive inspiration.
JP: How important is social media for photographers?
VR: I think it’s very important, but at the same time you have to stay authentic and real. It’s a showcase of your work and the way you promote your work. The whole market has completely changed in the last ten years and social media plays a major role for every creative mind. At the same time there are a lot of photographers who are not so talented, but know how to use social media and how to promote themselves even better than some very talented snappers and this distracts a lot of people. As always it’s about the balance really, but it’s very important to have a social media presence.
JP: Do you have any tips for amateur photographers?
VR: Doubt the standards, keep your head down and never be satisfied with the outcome.
Credit: Vladimir Rys / Red Bull Content Pool

Racing In The Rain – Max Verstappen Relives His Epic Drive At The 2016 Brazilian Grand Prix | Mobil 1 The Grid

Check out the newest video from Mobil 1 The Grid in which Max Verstappen previews the Brazilian Grand Prix, during which he recalls his epic drive at last year’s race in the rain at Interlagos.

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You keep me coming back for more

The things you do for love… early mornings, late nights, moments of utter joy tempered with moments of abject sadness. It is an inexplicable bond, this thing called love, that causes a person to stand by the object of their affection in bad times and to celebrate the good times with an air of reckless merriment and joy.
No, you have not accidently stumbled onto a “how to fix my love life blog” or a tribute to some mysterious love. What you have found is my story on this love affair with Formula One that, as the Brothers Johnson would say, keeps me coming back for more. A few weeks ago my Crew colleague, Aaron Irwin, invoked the Righteous Brothers as he described losing that loving feeling he has for the sport of F1. He inspired me to examine the reason why I am still in love with F1 and keep on tuning in for more regardless of time differences.
I will be honest, much like a relationship with an actual human, there have been moments of sheer frustration that have made me stop and question why I still have this feeling for the sport. My friends, the non-F1 crowd that is, have a hard time understanding F1 to being with and so you can imagine their confusion when I vent about “the silly grid penalty nonsense and artificial feeling tracks”.

Credit: Pirelli

It was Michael Schumacher who cemented my attraction to the sport but it was Ayton Senna who formed its foundation. I loved how drivers as openly emotional and passionate as Senna and one who as passionate in a more clinical and equally brilliant manner that Schumacher possessed, could drive beyond what even their cars technically allowed. Schumacher battling with Mika Hakkinen and later Fernando Alonso would result in my family waking up at 5am on certain Sunday’s, due to the time differences to Australia and Japan, to the sound of Murray Walker saying “GO GO GO!”.
But with good times, comes the bad. F1 saw technical changes which resulted in certain teams finding loopholes well within the laws, giving them a technical advantage and negating any real competition for many years. Slowly the personalities of drivers were being controlled and the days of free speakers like Juan Pablo Montoya were ending, (although Kimi will always thankfully be Kimi). F1 was slowly feeling a bit too artificial with even drivers being told what to say and do and how to say and do it so as not to create a PR disaster. Tracks felt more like pandering to big money instead of reaching F1’s heart and soul… its fans.

Credit: Pirelli

Right about now, you would be staging and intervention trying to reason with me….
Yet I did not miss a race… not a single one. There were the little things that kept me there, Jenson Button’s empathic maiden championship win, Alonso joining Ferrari, Sauber staying in F1, Schumacher coming back and then breaking my heart by retiring.
You see the uncertainty of F1 is like nothing else. Take this year’s Singapore Grand Prix. It seemed to be all Sebastian Vettel for sure, many online said they would not even watch the procession, but then the first corner happened and changed the 2017 championship forever, similarly the resurgence of the Red Bull team, when many had written them off. You cannot predict an F1 weekend outcome. I still have that feeling, as the lights are about to go out, a nervous excitement and elevated heart rate, which prima facie sounds silly because, after all, I have nothing personally invested in the race. Lately, however, there has been a swing back to more openness and a nostalgic feel to things, the talent of a driver seems to be allowed more room and teams are closer, technically, to each other.

Credit: LAT Photographic/Williams F1

Like any relationship, my love of F1 faced some introspection, what kept me loving the sport? Perhaps Liberty Media have been the correct relationship counsellor? Let us examine that for a quick second. It is evident that fans are less critical of the new regime when compared to that of Bernie and Co. It seems that the more open approach, such as the access to the F1 drivers meeting and more access to the track, have given the fans more of a hands on approach to F1. It is all of that and more. It may sound a bit dramatic, (I am a lawyer, drama is pre-requisite), but my heart and mind and truly invested in F1. While there may be other motorsports that I enjoy, I love F1 and will continue to do so if the ethos remains.
What is this you may ask? For me it is the authentic feel of the F1 of old remaining and the marriage of driver and machine reaching the peak of human physicality and performance, tempered with the emotional and visual entertainment that only F1 can bring.

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